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	<title>Philip Shelley - Script Consultant &#187; Recommended Screenwriting</title>
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		<title>The Street</title>
		<link>http://www.script-consultant.co.uk/2009/08/13/the-street/</link>
		<comments>http://www.script-consultant.co.uk/2009/08/13/the-street/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 14:05:35 +0000</pubDate>
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				<category><![CDATA[Recommended Screenwriting]]></category>

		<guid isPermaLink="false">http://www.script-consultant.co.uk/?p=161</guid>
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Just a quick one to recommend ( a bit late in the day) the current BBC series ‘The Street’. For me, these shows are object lessons in top-quality dramatic story-telling. The first story in particular, featuring a stand-off between the excellent Bob Hoskins &#38; Liam Cunningham, was dramatic screenwriting at its best. Using a highly [...]]]></description>
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</p><p>Just a quick one to recommend ( a bit late in the day) the current BBC series ‘The Street’. For me, these shows are object lessons in top-quality dramatic story-telling. The first story in particular, featuring a stand-off between the excellent Bob Hoskins &amp; Liam Cunningham, was dramatic screenwriting at its best. Using a highly familiar ( see <em>High Noon</em>) storyline, this was nevertheless fresh, immediate and compelling, with some wonderful character moments.</p>
<p>But all the episodes so far have taken fascinating – even if familiar &#8211; set-ups and spun powerful stories from them. Each story has a sense of dramatic inevitability but the writers make each scene count – this is lean, economical writing and studying what makes these stories work will teach you a lot.</p>
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